James Francis Cameron
[2] (born August 16, 1954) is a Canadian film director, film producer, deep-sea explorer, screenwriter, and editor who has directed the two biggest box office films of all time.[3][4][5][6][7] He first found success with the science-fiction hit The Terminator (1984). He then became a popular Hollywood director and was hired to write and direct Aliens (1986); three years later he followed up with The Abyss (1989).
He found further critical acclaim for his use of special effects in Terminator 2: Judgment Day (1991). After his film True Lies (1994) Cameron took on his biggest film at the time, Titanic (1997), which earned him Academy Awards for Best Picture, Best Director andFilm Editing. After Titanic, Cameron began a project that took almost 10 years to make: his science-fiction epic Avatar (2009), for which he received the three same Academy Award nominations. In the time between making Titanic and Avatar, Cameron spent several years creating many documentary films (specifically underwater documentaries) and co-developed the digital 3D Fusion Camera System. Described by a biographer as part-scientist and part-artist,[8] Cameron has also contributed to underwater filmingand remote vehicle technologies.[6][7][9] On March 26, 2012, Cameron reached the bottom of the Mariana Trench, the deepest part of the ocean, in the Deepsea Challenger submersible.[10][11][12] He is the first person to do this in a solo descent, and is only the third person to do so ever.
He has been nominated for six Academy Awards overall and won three for Titanic. In total, Cameron's directorial efforts have grossed approximately US$2 billion in North America and US$6 billion worldwide.[13] Not adjusted for inflation, Cameron's Titanic and Avatarare the two highest-grossing films of all time at $2.19 billion and $2.78 billion respectively.[14] In March 2011, he was named Hollywood's top earner by Vanity Fair, with estimated 2010 earnings of $257 million.[15] In October 2013, a new species of frogPristimantis jamescameroni from Venezuela was named after him in recognition of his efforts in environmental awareness, in addition to his public promotion of veganism.[16][17][18]
Early career[edit]
His first film was called Xenogenesis (1978). He was the director, writer, producer, and production designer for Xenogenesis. He then became a production assistant on a film called Rock and Roll High School, though uncredited in 1979. While continuing to educate himself in film-making techniques, Cameron started working as a miniature-model maker at Roger Corman Studios.[23] Making rapidly-produced, low-budget productions taught Cameron to work efficiently and effectively. He soon found employment as an art director in the sci-fi movie Battle Beyond the Stars (1980). He did special effects work design and direction on John Carpenter's Escape from New York (1981), acted as production designer on Galaxy of Terror (1981), and consulted on the design of Android (1982).[26]
Cameron was hired as the special effects director for the sequel to Piranha, entitled Piranha II: The Spawning in 1981. The original director, Miller Drake, left the project due to creative differences with producer Ovidio Assonitis, who then gave Cameron his first job as overall director. The interior scenes were filmed in Italy while the underwater sequences were shot at Grand Cayman Island.[27]
The movie was to be produced in Jamaica. On location, production slowed due to numerous problems and adverse weather. James Cameron was fired after failing to get a close up of Carole Davis in her opening scene. Ovidio ordered Cameron to do the close-up the next day before he started on that day’s shooting. Cameron spent the entire day sailing around the resort to reproduce the lighting but still failed to get the close-up. After he was fired, Ovidio invited Cameron to stay on location and assist in the shooting. Once in Rome, Ovidio took over the editing when Cameron was stricken with food poisoning. During his illness, he had a nightmare about an invincible robot hitman sent from the future to kill him, giving him the idea for The Terminator, which later catapulted his film career.[27]
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